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Tallahassee
Democrat
Jigtime
International Internet Magazine
Dear Lis, During our last Magnoliafest, we played your recent recording over the sound system during the changeover for a setby the David Grisman Quintet. The crew responded they had more positive inquiries and comments about that CD than any other played before, and the DGQ bass player even stopped during his setup to ask the monitor mixer who and what was playing. That kind of response indicates just how strong your music is, and only serves to reinforce our long-held belief in Valla Turner Williamson's considerable abilities. We have heard, seen and presented the highest level of performers in this genre including greats like Jerry Douglas, Sam Bush, and Bela Fleck, and feel your group could be standing among that number someday. We would
be glad to do anything we can to help you advance your music and your
musical ambitions. Clearly, you represent the best of what you do, and
providing opportunities for such representation is one of the festival's
primary In Harmony, Dirty
Linen Here's an enjoyable
collection of tunes and songs from this Florida-based bluegrass outfit.
They strike a nice balance between the instrumental pieces that are strongly
melody-based, built around the mandolin of Greg Turner and guest fiddler,
Aubrey Haynie, and the songs that feature three different lead vocalists.
Original songs are mixed in with covers of material by Aimee Mann, Emmylou
Harris and James McMurtry. Nothing fancy, just a well-played set that
bluegrass fans should enjoy. (JLe)
Bluegrass
Unlimited Valla
Turner
Williamson
is
Gabriel
Valla
(guitar,
vocals),
Greg
Turner
(mandolin),
Lis
Williamson
(guitar,
banjo,
vocals)
and
Lon
Williamson
(bass,
vocals).
Helping
out
are
Aubrey
Haynie
on
fiddle,
and
Scott
Vestal
with
banjo
on
two
cuts.
Readers
of
this
publication
should
note
that
the
music
here
is
generally
not
bluegrass,
in
spite
of
the
presence
of
Haynie
and
Vestal.
That
said,
it
is
very
well
done,
and
touches
a
number
of
musical
bases,
including
progressive
bluegrass,
new
acoustic,
Dawg,
folk,
and
old-time.
Valla
and
Turner
are
very
strong
lead
instrumentalists,
and
get
excellent
backing
in
a
wide
variety
of
complex
arrangements
from
the
rest
of
the
band.
Especially
nice
are
Valla’s
“Fisher’s
Creek”
and
“Cumberland
Road”,
and
Grisman’s
“The
Tipsy
Gypsy”
which
is
given
royal
treatment
by
Turner,
Valla
and
Haynie.
Bassist
Lon
Williamson
contributes
not
only
on
the
instrumental
front
in
a
big
way,
but
also
brings
very
pleasing
vocals
to
his
two
compositions,
“Life’s
Been
Hard”
and
“Murder
Creek”,
both
of
which
stand
out
in
a
strong
field
of
songs
here.
Lis
Williamson
supplies
rhythm
guitar,
old-time
banjo,
and
vocally
handles
a
majority
of
the
leads,
all
of
which
are
impressive.
Standouts
include
her
work
on
“Coming
Up
Close”,
Emmylou
Harris’
“Sweetheart
of
the
Pines”,
and
Mark
Simos’
“Sleepy
Eyes”.
Aubrey
Haynie
is
just
superb
throughout.
This
is
a
very
talented,
versatile
band.
They
have
found
a
nice
variety
of
generally
lesser-known
material,
and
their
own
compositions
are
among
the
best
of
the
bunch.
That
alone
should
make
this
CD
interesting
to
many
readers
looking
for
good
new
material.
For
everyone
else
this
CD
is
simply
very
good
listening.
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